Starhine’s shell features no vent holes, but doesn’t suffer from any driver flex issues. For the comparison sake, Starlight featured 1 DD (CNT) + 2 BA + 4 EST (Sonion 2389). It features a quad-driver setup which consists of 2 BA (Knowles 29689 for the mid-range and Knowles 22955 for the low frequency range) + 2 EST (Sonion). Much like its bigger brother Starlight, Starshine continues the flagship tradition of utilizing electrostatic drivers. Further supporting this statement, the new i3 Pro appears to feature 2-pin connectors. TRI is keeping up with the current trends and opted for 2-pin connectors instead of MMCX connectors that were previously used on the TRI i3. Besides the resin art, there is a TRI logo on the faceplate in a shiny finish. I have to say that they heavily remind me of the most gorgeous headphones on the planet - Rosson Audio RAD-0. What is nice is that the glitter isn’t everywhere, it’s only in certain parts, and this greatly contributes to the eye-candy final finish.
Speaking of it, it consists of a glittery brown, blue, and white paint mix.
Each model is unique with its own resin pattern. I’m one of those people who is a fan of resin art in IEMs, and this is one great example of how a good design should look like. The shells on their own are some of the most beautiful I have seen. In the case of Starshine, there is a more nature-like theme going on.
From their least priced IEMs, all the way up to their most expensive, the design is always on point. We have yet to see the KB Ear company to disappoint with their design.
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